![]() It may be made with the subtlety of an unexpected explosion, but the aftereffects are harrowing and lasting. Listening to one youngster pitifully wail for his mother after his limbs have been blown off is one of Land of Mine’s powerful statements on the inhumanity of war. The Surface Mining Control and Reclamation Act of 1977 provides for the restoration of mine lands, abandoned or left. To double the impact of these explosions-and the soldiers’ wistful thoughts of getting back home-Zandvliet fills the cast with actors who look like they’ve barely hit puberty. Nor does it make the moments of calm, when the gruff Rasmussen starts to soften toward his young charges, in any way heartwarming. Does that make it any less stressful to watch these tiny hands precariously unveiling each mine and removing each detonator? Of course not. It’s not a matter, then, of if any of the Germans will get blown up, but when and how many. We can't do it without you! Thanks, you're the best. ![]() If you're a fan of smart, local, progressive journalism that makes a real difference in Portland, please support the Mercury with a recurring monthly contribution.
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